Upcoming Events
Queer Theory Reading Group
Once a Month at Blindside Gallery
Get ready for a year of thought-provoking discussions, where queer theory meets creativity, poetry, and community!
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The Break by Zoë Bastin – A site-specific dance for the beach – where choreography and coastline merge
8–11 October 2025
Wed 6–7:30pm
Thu–Sat 6:30–7:30pm
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Ocean Forum: Shared Waters, Collective Futures brings together artists, local knowledge holders and community voices to reflect on the ocean as a site of connection, care and cultural significance.
Saturday 11 October
4 pm – 5.30 pm
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About
Zoë Bastin is an Australian choreographer, performer, researcher, and educator whose interdisciplinary practice sits at the intersection of contemporary dance, visual art, and critical theory. Their work examines how bodies are shaped by and resist systems of power through queer and feminist methodologies. Zoë completed a PhD at RMIT University in 2021 on the philosophy of the body and currently lectures and supervises research projects at RMIT, VCA, and Deakin University. They are the artistic director of Zoë Bastin Dance, leading a company dedicated to research-led, collaborative performance-making.
Over the past decade, Zoë has presented work nationally and internationally, including That Which Was Once Familiar, which examined how cultural norms inscribe gender and sexuality onto bodies, and Waves Are Disturbances, a site-responsive project translating oceanic social histories into choreography. Internationally, they developed What Appears to Be Abundance at a Distance through the ATLAS Programme at ImPulsTanz Festival in Vienna. Their collaborative practice spans composers, dancers, and visual artists, exploring the interaction of movement, sound, and space. Zoë’s curatorial and dramaturgical work contributes to shaping contemporary performance, connecting ideas in movement, supporting emerging artists, and fostering knowledge-sharing across the cultural sector.
Over the past decade, Zoë has presented work nationally and internationally, including That Which Was Once Familiar, which examined how cultural norms inscribe gender and sexuality onto bodies, and Waves Are Disturbances, a site-responsive project translating oceanic social histories into choreography. Internationally, they developed What Appears to Be Abundance at a Distance through the ATLAS Programme at ImPulsTanz Festival in Vienna. Their collaborative practice spans composers, dancers, and visual artists, exploring the interaction of movement, sound, and space. Zoë’s curatorial and dramaturgical work contributes to shaping contemporary performance, connecting ideas in movement, supporting emerging artists, and fostering knowledge-sharing across the cultural sector.